Dumblonde lose mymind professional#

This is protectionism in the sense that some sort of insinuated partnership - by wedlock or evident influence - was frequently needed for women to contextualize their creative powers. In being able to miraculously mirror country’s traditional expectations for female artists, while also threading a thin line that only she could navigate between these diametrically opposed inspirations, the magic that became her career that followed took shape.įoremost, the level of protectionism expected for female artists by country music for the past 60 years must be discussed. In between all of that lies Dolly Parton. Cline’s lovelorn, milquetoast ballads stand in polar opposition to songs about infidelity, suicide, seduction and ribald displays of commonness. This followed a decade where Patsy Cline was country’s favorite female pop vocalist, known for songs like ‘Walking After Midnight’, ‘Crazy’ and ‘I Fall To Pieces’. Riley had hit the top of the charts with ‘Harper Valley PTA’ and Loretta Lynn had reached number-one with ‘Fist City’. It was a dynamic era for country in the two years prior, Bobbie Gentry had reached number one with ‘Ode To Billy Joe’, Jeannie C. The recording process for Coat of Many Colors began in 1969. By stitching together pieces of so many other essential female country stars’ careers - a coat of many colors of sorts - the “not so ‘Dumb Blonde”’s own career began to take shape. Via this album, the vocalist bucks industry trends and conflates the country music establishment’s expectations for superstar female talent.

Dumblonde lose mymind professional#

As for the rest of the album, it’s a fascinating journey into how the foundations of Parton’s iconoclastic professional streak take root. However, it’s on 1971’s Coat Of Many Colors, with its supreme title-track, that her Hall of Fame level talent as a creator and wordsmith emerged. The latter album signaled her creative freedom from longtime creative partner Porter Wagoner and her development from being - in the words of music critic Robert Christgau - a “good” to “great” songwriter. Three years after she released the now five-decades-old Coat Of Many Colors, Dolly Parton released Jolene.